Hidekatsu Inoue – Kendo Collection – Japanese Swordsmanship Vol.3

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Hidekatsu Inoue – Kendo Collection – Japanese Swordsmanship Vol.3

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Hidekatsu Inoue – Kendo Collection – Japanese Swordsmanship Vol.3

VOLUME 3-Techniques Used 1— 1. The Shinai’s attack and mobility The strategy for assaulting Omote-zeme (attack from the Omote) Ura-zeme (assault from the Ura) (attack from the Ura) Gedan-zeme (lower assault) (lower attack) 2. Harai and the Shinai movement Omote-barai (the Harai utilizing the Omote) (the Harai using the Omote) Ura-barai (the Harai utilizing the Ura) (the Harai using the Ura) 3. Maki (twisting) and Shinai movement Omote-maki-age, Omote-maki-osae, Omote-maki-otoshi Ura-maki-age, Ura-maki-osae, Ura-maki-otoshi 4. Dodging and the Shinai Omote-movement yoke’s (dodge using the Omote) Ura-yoke (dodge using the Ura) (dodge using the Ura) 5. Kaeshi and the Shinai’s Movement Omote-oji-gaeshi, Omote-suri-age Ura-oji-gaeshi, Ura-suri-age Ura-maki-osae, Omote-maki-osae Uchi-otoshi (strike down) (strike down) 6. Tsubazeriai Kuzushi (breaking) Omote-kuzushi (the Kuzushi utilizing the Omote) (the Kuzushi using the Omote) Ura-kuzushi (the Kuzushi utilizing the Ura) (the Kuzushi using the Ura) Shita-kuzushi (lower Kuzushi) (lower Kuzushi) Omote-kuzushi from Ura, Ura-kuzushi from Ura — Technique used 2— 7. Shikake-waza, Men Men from the Omote-osae Men after the Harai at the Omote Men after the Maki-osae at the Omote Men after the Harai at the Ura Kote-men from the Ura-osae Kote-men after the Harai at the Ura Men after the Harai at the Ura Men after the Harai at the Ura (the Men in a letter form “Shi”) Shinoji-men should be reversed. Katate-hanmen Katsugi-Men 8. Shikake-waza, Kote Kote from the Omote-osae Kote from the Ura-osae Kote from the Gedan-zeme Kote after the Harai at the Ura Kote after the Harai at the Omote Kote after the Maki-age from the Ura Kote after the Maki-age from the Ura Kote after the Tsuki Katsugi-gote Shikake-waza, 9. The Omote-Do osae’s Do (Rignt-sabaki) Do from the Omote-osae (Left-sabaki) Do from the Ura-osae (Right-sabaki) Do from the Ura-osae (Right-sabaki) Do from the Ura-osae (Left-sabaki) Men feint Do (Left-sabaki), Kote feint Do (Rignt-sabaki) Do after the Maki-age from the Omote-zeme, Kote feint Do (Rignt-sabaki) Do after the Maki-age from the Ura-zeme (Left-sabaki), Do following the Ura’s Maki-age (Rignt-sabaki) Gyaku-do is named after the Ura Harai-age. Gyaku-do after the Omote’s Maki-osae Men play Gyaku-do. Gyaku-do feint by Kote Tsuki Morote-tsuki from the Omote-zeme Shikake-waza Tsuki after feinting the kote Tsuki after the Maki-otoshi from the Omote Tsuki after the Maki-otoshi from the Ura Tsuki after the Maki-otoshi from the Ura Katate-tsuki (Tsuki with one hand) Shikake-waza from Tsuba-zeri-ai 11 (close guards) Omote-kuzushi-hiki-men, Omote-kuzushi-hiki-men at Ura, Omote-kuzushi-hiki-men at Ura Omote-kuzushi-hiki-do, Omote-kuzushi-hiki-kote Ura-kuzushi-hiki-men, Ura-kuzushi-hiki-kote Ura-kuzushi-hiki-do, Ura-kuzushi-hiki-gyaku-do, Ura-kuzushi-hiki-gyaku-do Hikido from Ura-kosa, and Hiki-men (Omote) from Ura-kosa Shita-kuzushi-hiki-kote, Shita-kuzushi-hiki-men Shita-kuzushi-hiki-do, Shita-kuzushi-hiki-gyaku-do, Shita-kuzushi-hiki-gyaku-do Men feint Hiki-do, whereas women feint Hiki-men. Katsugi-hiki-gote, Katsugi-hiki-men Katsugi-hiki-do, Katsugi-hiki-do -hiki-gyaku-do

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